I am what I am; I will be what I will be.

Sunday, March 23, 2014

Education and its Crises: Rambling Thoughts

Cartoon on Sri Lankan education y Awantha Artigala, Colombo
(Welcome address at the at the conference, Educational Transformation and Transformative Education: Possibilities and Alternatives to the Educational Crisis, March 21st 2014, India International Centre, New Delhi; organized by the Department of Sociology, South Asian University, New Delhi)

Colleagues and friends, good morning. On behalf of the Department of Sociology and the Faculty of Social Sciences at South Asian University, let me welcome you.

Today, we are expected to deliberate on the broad theme, ‘Educational Transformation and Transformative Education: Possibilities and Alternatives to the Educational Crisis’ with a very politically conscious focus on South Asia’s multiple crises in education. To contextualize what we are about to embark upon, let me divert your attention to another time that has nothing to do with our region, our times or even our post-enlightenment notions of reality and rationality. For a brief moment, let me take you to mythic times where gods, humans, nature, culture and a multiplicity of ideas interacted fairly freely. I have in mind a very nuanced encounter between a god and a king as outlined in ‘The Legend of Thamus’ by Plato in his book Phaedrus. As we know, Phaedrus is a dialogue between Plato's main protagonist, Socrates, and Phaedrus. I must admit that I unashamedly and repeatedly refer to this mythic encounter in many of my conversations on education as it allows me to place my thoughts in context, as would be the case today.

Thamus, the king of a great city in Upper Egypt, once entertained god Theuth who was the inventor of many things, including numbers, calculation, geometry, astronomy, and writing. Theuth’s assertion was that his inventions should be made available to Egyptians because of their utility. At one moment, while introducing his invention of writing to the king, the god observed: “Here is my accomplishment, my lord the King, which will improve both the wisdom and the memory of Egyptians.”[1] To this, Thamus replied, “Theuth, my paragon of inventors, the discoverer of an art is not the best judge of the good or harm which will accrue to those who will practice it. So it is in this: you, who are the father of writing, have out of fondness for your offspring attributed to it quite the opposite of its real function. Those who acquire it will cease to exercise their memory and become forgetful; they will rely on writing to bring things to their remembrance by external signs instead of by their own internal resources. What you have discovered is a receipt for recollection, not memory. And as for wisdom, your pupils will have the reputation for it without the reality: they will receive a quantity of information without proper instruction and in consequence be thought very knowledgeable when they are for the most part quite ignorant. And because they are filled with the conceit of wisdom instead of real wisdom, they will be a burden to society.”[2]

You might quite legitimately wonder what this mythical conversation has got to do with a series of deliberations on the multiple crises in education in our region. For me, this seemingly unconnected narrative is a point of departure for what we are about to discuss. After all, it deals with the unthinking and ideologically motivated posturing of a specific technology as a solution to all known ills in society when in fact it can well be the foundation for creating a group of citizens who are a burden to society as warned by King Thamus. It is not that different from the way policy makers and politicians in our region attempt to promote education at all levels as something that is fundamentally utilitarian, something decided by the market, something for the market, something useful for development, something in my opinion is shorn of any nuanced historical consciousness.

Can we be satisfied that domains of education in South Asia, from primary to secondary to tertiary as a system, function to impart knowledge along with wisdom and a broader sense of inclusive citizenship or a collective sense of regional identity? Or, does that system simply offer a quantity of information without situating it in the wider political and social contexts within which it must ideally be understood, learned and practiced? If the latter is the case, what kind of citizens and what kind of an intellectual climate would we end up creating? What kind of young people do we train and send to universities, colleges and markets?

I was very amused to read a few weeks ago the vision and mission statements of the Ministry of Higher Education in Sri Lanka very loudly articulated in its website. Its vision is to make Sri Lanka “an international hub of excellence for higher education by 2020.”[3] Its mission is to “To Delight Students, The Industry, Staff And Other Stakeholders Of The Higher Education System Of Sri Lanka By Formulating And Implementing Results Oriented Policies & Strategies And To Deliver Results In An Effective And Efficient Manner Through A Participatory Process, To Produce The Best Intellectuals, Professionals, Researchers, Entrepreneurs; To Deliver Innovative Solutions To Make Sri Lanka “The Wonder Of Asia” (sic).[4] It seems to me that the vision reads more like a hallucination and the mission more like an impossible mission to achieve and a wish list formulated by someone who does not seem to have the foggiest idea of the crises that Sri Lankan education system as a whole is currently enveloped in. But then, that is the nature of hallucinations and missions impossible.

I refer to this example for a specific reason. This is not an exception. If you were to read policy documents, particularly pertaining to higher education in any of the countries in the region, you would read similarly unenlightened verbosity. What exactly is meant by “Formulating And Implementing Results Oriented Policies & Strategies” and how does one “Deliver Results In An Effective And Efficient Manner Through A Participatory Process?” Aren’t these the hallmarks of the kind of market-driven education system, devoid of a conscience, a sense of self-reflexivity or a historical sensibility that has been implemented in our region since neo-liberal ideological premises impacted upon systems of governance in general and education in particular since at least the late 1970s in our part of the world? Isn’t this the description of a parochial technical education that does not allow people to think? Unfortunately, this is the kind of system that is in place today not only in Sri Lanka, but elsewhere in the region too, if we go by the public articulations of politicians on what education is supposed to be like.

But then, can the ‘Miracle of Asia’ as imagined by Sri Lanka’s present regime and ‘Incredible India’ in the case of the Indian state’s self-perception of itself and other similarly fantastic self-perceptions of neighboring countries be achieved in a vacuum, particularly when their education systems have been highly politicized and in dire straits over a considerable period of time? Clearly, in the case of India, Pakistan, Bangladesh, Nepal and Sri Lanka heads of major state-funded universities are appointed by the highest political authorities in these countries. What does this mean when juxtaposed with ideas such as academic excellence, cutting edge knowledge, academic freedom and so on which most of us would cherish as ideals and also regularly emerge in the rhetoric of regimes in our region whose practice however very clearly undermine what these words actually mean.

Can we expect anything other than crises when universities, research organizations and think tanks are headed by people not because of their training, competence or integrity in a specific domain of knowledge, but simply because of their proximity to political structures that hold power at a specific time and their uncritical acceptance of the prevalent structures of power. This general state of affairs brings to my mind Edward Said’s comments on post-independence Arab universities outlined in his essay, ‘Identity, Authority and Freedom’ (2001). As he observes, in the post independence period, in Arab countries, national universities were conceived as extensions of the national security states, many of which were established consequent to independence. In such a context, academic freedom and other ideals of higher education as identified earlier, could not exist because they were perceived as a threat to the sustainability of that national security state. What was needed instead was a system through which potentially free thinking zones such as universities could be controlled by regimes or other structures of power. Said makes the following observations with reference to the situation in the Arab academy: “Alas, political conformity rather than intellectual excellence was often made to serve as a criterion for promotion and appointment, with the general result that timidity, a studious lack of imagination, and careful conservatism came to rule intellectual practice”[5] (Said 2001). I am sure you would agree with me that Said’s observations of the Arab academy describe equally well the collective status of South Asian academy today.

But these systemic failures become possible because of wider failures in the societies we live in; because of the shrinking public sphere that we have by and large accepted as a matter of fact over which one has no control; because of the relative absence of wisdom and tolerance of a plurality of ideas in most political contexts in South Asia. It is clear that ruptures in the wider society reproduces themselves in school and university systems which become part of a single process with very little space for publically articulated difference. It is in such a situation we can understand such intellectually demeaning acts as the banning of books: Rohinton Mistry’s novel, Such a Long Journey was removed by the University of Bombay from its English syllabus while not to be outdone, Delhi University banished from its history syllabus the Collected Essays of A.K. Ramanujan and Paula Richman's Many Ramayanas: The Diversity of a Narrative Tradition in South Asia with a focus on Ramanujan's work. James Laine’s work of history, Shivaji: Hindu King in Islamic India was removed from local circulation due to protests by the publisher Oxford University press in 2003, while this year under somewhat similar circumstances Wendy Donniger’s book, The Hindus: An Alternate History was withdrawn by the publisher, Penguin India. Similarly, the novel Lejja by Tasleema Nasreen was banned in Bangladesh as soon as it was published while the Sri Lankan government banned Stanley J. Tambiahs’s book, Buddhism Betrayed? In these kinds of situations, it is not always easy to locate the boundaries between the state’s thinking and the influence of hegemonic political currents on one hand, and the actions of universities and schools on the other. Often, they complement each other.

Let me flag one final issue. I think we need to recognize that much of what has happened in the systems of education in our region is also related to education’s affinity with neo-liberal policies of governance that South Asia has adopted in different ways since about the late 1970s. All of us would agree that as a regime of governance neoliberalism constitutes of an ideology that is organized upon the ideas of “liberalizing the capitalist market from state control and refashioning state practices in the idealized image of the free market.”[6] Within this system, what has happened to the individual, the man, the woman and the child down the street and in the mall, and to their sense of citizenship? Gordon notes that the emergence of neoliberal government means that “the notion of the social body as a collective subject committed to the reparation of injuries suffered by individual members gives way to a new role for the state as a custodian of a collective reality principle, distributing the discipline of the competitive world market throughout the interstices of the social body.”[7] This means that neoliberalism necessitates a radical transformation of the social body which takes a toll in the long run on pre-existing institutions and practices, which includes what we flippantly call democracy. As suggested by Lemke, “the key feature of neoliberal rationality is the congruence it endeavors to achieve between a responsible and moral individual and an economic rational actor.”[8]

Of course, as post-neoliberal South Asia amply demonstrates, it is this ‘responsible and moral individual’ and the ‘economic rational actor’ who has by and large supported the tampering of democratic practices and institutions in the hope of achieving an economic and developmental miracle in which they can be part of. It is this same character who has often tolerated anti-minority agitations in many societies in the region among numerous other tendencies that have destabilized the region’s democratic political environment. It is in this context that Hindess’ ideas also make sense (1996). He notes the marketization tendencies in governmentality significantly impacts the political and social rights of citizenship.[9] More specifically, “political rights (such as they are) may remain but their scope is restricted as market regulation takes over from direct regulation by state agencies and the judgment of the market is brought to bear on the conduct of states, while the social rights of citizenship (where they exist) are pared back as provision through the market replaces provision directly or indirectly through the state.”[10] The issue is that this radical transformation in the value of the individual and in citizenship in order to privilege market prerogatives has been facilitated essentially through our schools and through our universities and colleges. I am not suggesting a reductionist approach in which all the ills in education can simplistically be located in the context of the region’s experimentation and flirtation with neoliberalism. I am simply suggesting however, that this affinity cannot be taken out of the equation which also constitutes of numerous other factors.

I often wonder why policy makers and politicians in our region ruling over different sectors of education simply do not see or perceive the crises that have engulfed these sectors and experienced by ordinary mortals as a matter of routine. These are the crises that you too would deliberate upon in detail as you can also see them. This invisibility is a matter of convenience as very eloquently sketched in a fictional setting by Salman Rushdie in his novel, The Enchantress of Florence (2009). After his inability to win the heart of Alessandra Fiorentina, Marco Vespuchi hung himself and his dangling body was visible to Alessandra Fiorentina even though she never saw it. That is because in the words of Rushdie, she “had long ago perfected the art of seeing only what she wanted to see, which was an essential accomplishment if you wanted to be one of the world’s masters and not its victim”[11]. In this fictional narrative, “if she did not see you then you did not exist”[12] and simply became a casualty of her erasing gaze. It seems to me that we see these crises simply because we either experience them as part of lives; help create discourses on these as scholars or both. We see them because we are also victims of these circumstances. But politicians and policy-makers, centrally located in domains of power, are in the business of becoming the world’s or at least their own fiefdoms’ masters, and simply cannot see these crises as they do not wish to see them. Instead, they will see and become part of grand narratives such as the ‘Miracle of Asia’ or ‘Incredible India.’ In fact, it is their erasing gaze that constitutes how politics unfold in our times.

What I have outlined here is simply the tip of the proverbial iceberg. In building that iceberg, I only focused on a few issues in tertiary education that I have thought about and written about before. I did not even touch on the primary and secondary education systems. These were simply some of the things that came to my mind when I was thinking about how I could contextualize the deliberations that would begin today. Naturally, there is much more that needs to be addressed and probed. We also need to go beyond the critiques that we are quite familiar with and look for practical alternatives. When you do this in the specificities of your own papers and your own experiences and research, I hope some of the larger issues I have attempted to outline today might be of some use.

Let me end with a personal note, which also has to do with education in our times. It gives me endless satisfaction and pleasure to see this kind of exercise taking place in my own department and faculty. Not too long after we came together as an institution and as a collective of individuals, the Department of Sociology was the first in the university to initiate a conference, and that too coordinated by my colleague Ravi Kumar with the support of Rosa Luxembourg Foundation. I am grateful for these efforts. Thank you. And we have continued these efforts in a number of different but obvious ways. After all, it is not only our teaching, but our thinking, what we read, what we write and how we reach out to intellectual domains beyond the university that would ultimately construct our public intellectual personality. We are attempting to build a particular kind of institution with a very specific regional identity and sensibility not as imagined by the regimes of the region, but as we have re-imagined how South Asia should be with porous borders across which people, ideas and manifestations of culture could move with relative ease. This is not too different from the porousness of borders that our own discipline as well as social sciences and humanities more generally have experienced in recent times. But in that re-imagination, while our regionalism is clear, we are also very open to ideas from the wider world. Nevertheless , it endlessly frustrates me when faced with the obvious realization that in spite of the emergence of political structures such as SAARC and the flippant and all too often mantra-like chanting of something called South Asian and South Asia, “we do not have regular and serious forums for South Asian scholarship to showcase our own research and our own thinking on our own terms. Even now, more than half a century after the process of official decolonization began in the region, much of the analyses and pontifications on our problems, situations, histories and dynamics emanate from Euro American academia; this is certainly the case when it comes to conceptual formulations and theoretical approaches from the Euro‐American zone that are being employed in exploring the region’s social and cultural complexities often without much self-reflection”[13] and quite comfortably adopted by our own scholars without seriously exploring their possible contradictions.

My hope is that if conferences like this are carefully thought out and organized, then they should ideally become forums for not simply research on South Asia, but also for theorizing from the Global South. In such a context, we should be able to seriously ask “if Euro-American thought could not be dislodged or decentered from the center of historical practice in non-Euro-American places such as ours. If we do this, then what are the consequences we have to anticipate when cultural practices from our part of the world are translated into categories of social science which derives their own power from a completely different historical and political lineage? Of course, I am not promoting a sense of naively simplistic nativism — This is also not a simple matter of shunning thought from these established centers of knowledge be they in Europe or North America.”[14] Instead, I am arguing quite seriously for a robust engagement with these issues within South Asia on a consistent, dynamic and larger scale.

It is with this kind of dream and hope that some of us came to this university. We were ideologically motivated to create a very special place of thinking rather than simply being enamored by the salary alone which I am told is somewhat higher than the rest of the universities in India. So, “if we are keen to see a dynamic cultural and intellectual environment in the region, delinked from the shackles of religion, ethnicity, caste, nationalism and parochial local politics and expansionist global agendas,”[15] we necessarily have to carve out our own path, our own history and our own way of dealing with failures and frustrations and try to decide the shape, color the directions of our own futures. We have to decide if we want to be the footnotes of history, its lost memories or the major players and authoritative writers of that history.

But these efforts are unfolding and our dreams are manifesting at a time, in a region and in a city where the multiple crises in education that you will be discussing in this conference provide us a veritable backdrop as a disconcerting presence. Despite our newness as an institution, the poltergeist of conservatism is hovering all around us not just in the immediate neighborhood and beyond but in our own corridors of power, our class rooms in the offices of some of our colleagues as well, always casting its long shadow. But then, as I have stressed, these are the repercussions of a larger malaise that afflict our region and our times, from which we cannot clinically escape by simply wishing them away. They have to be overcome despite the odds through a process, which often involves conformations that are by definition unpleasant.

Seen from this perspective, there is no confusion in my mind that in our endeavors we have to deal with many people , who in the words of King Thamus , “are filled with the conceit of wisdom instead of real wisdom.” I think it was Nelson Manedla who once said that, “Education is the most powerful weapon which you can use to change the world.” But what if that weapon is faulty or those of us who bear it or claim ownership over it simply do not know how to use it well? What ‘if’, indeed????? I hope my anxieties might disturb your conscience too.

Thank you for your presence, and I hope you will have two very fruitful days.

_______________________________________________


[1]. http://www.gurteen.com/gurteen/gurteen.nsf/id/the-legend-of-thamus 
[2]. http://www.gurteen.com/gurteen/gurteen.nsf/id/the-legend-of-thamus 
[3]. http://www.mohe.gov.lk/index.php/en/about-ministry/vision-and-mission 
[4]. http://www.mohe.gov.lk/index.php/en/about-ministry/vision-and-mission
[5]. Edward Said; ‘Identity, Authority and Freedom.’ In, Reflections on Exile: And Other Literary and Cultural Essays, Granta Books, 2001. 
[6]. Matthew B. Sparke. ‘A neoliberal Nexus: Economy, security and the Bio-politics of Citizenship on the Border.’ In, Political Geography 25 (2006) 151-180. 
[7]. Quoted in Matthew B. Sparke. ‘A neoliberal Nexus: Economy, security and the Bio-politics of Citizenship on the Border.’ In, Political Geography 25 (2006) 151-180. 
[8]. Quoted in Matthew B. Sparke. ‘A neoliberal Nexus: Economy, security and the Bio-politics of Citizenship on the Border.’ In, Political Geography 25 (2006) 151-180.
[9]. Quoted in Matthew B. Sparke. ‘A neoliberal Nexus: Economy, security and the Bio-politics of Citizenship on the Border.’ In, Political Geography 25 (2006) 151-180. 
[10]. Quoted in Matthew B. Sparke. ‘A neoliberal Nexus: Economy, security and the Bio-politics of Citizenship on the Border.’ In, Political Geography 25 (2006) 151-180. 
[11]. Salman Rushdie, The Enchantress of Florence; 190; 2009(London: Vintage). 
[12]. Salman Rushdie, The Enchantress of Florence; 190; 2009(London: Vintage). 
[13]. Sasanka Perera, ‘The Introduction’; South Asia Journal for Culture, Volume 1 (2008); Colombo: Colombo Institute for the Advanced Study of Society and Culture. 
[14]. Sasanka Perera, ‘The Introduction’; South Asia Journal for Culture, Volume 1 (2008); Colombo: Colombo Institute for the Advanced Study of Society and Culture. 
[15]. Sasanka Perera, ‘The Introduction’; South Asia Journal for Culture, Volume 1 (2008); Colombo: Colombo Institute for the Advanced Study of Society and Culture.

Wednesday, February 26, 2014

My lamentation

I was sick from 7th of February for about a month, with a relentless cough, a fever and a multitude of body aches that lingered on like a foe who refused to be vanquished despite all possible bio-medical attempts: colorful pills, sugary syrups, inhaling steam mixed with unknown substances. But nothing spiritual was attempted; nor exorcism in case this was a demon with no name but a bad attitude. AAP's high drama in Delhi over the previous couple of weeks brought to an end of its first incarnation what initially seemed like an enlightened experiment with a new kind of politics. That end came through a realm of what can only be described as a politics fascist populism and shrill sloganeering that was no different from anyone else’s sloganeering rhetoric. This does not mean that the experiment is over. But it was a pitiful site and did not give any respite to the pains my body was feeling, which had soon begun to suffocate my mind as well.

And then, Wendy Doniger’s book, The Hindus: An alternate History was withdrawn by the publisher, Penguin India with an out of court deal to turn what remains of the book into pulp. That was the deal made with the Shiksha Bacho Andolan led by Mr Dina Nath Batra. Their contention of course was that the book hurt their religious sentiments. Mr Batra’s outfit has been variously called ‘fringe’, ‘rightwing’ and so on by opponents outraged over what had transpired. I know nothing of Mr Batra or his organization to call them any names. But I have no doubt that the book offended Mr Batra and many others who see the world as they do. There is no reason to question their hurt feelings. But then, it also did not offend many others who profess the same religious sensibilities but see the world somewhat differently. By all counts, it appears that their feelings too have been irrevocably hurt by the decision to destroy the book by its publisher as evidenced by numerous comments in the media. I thought I had bought Prof Doniger’s book sometime ago and had begun to read it very slowly. But in the midst of all this, I realized what I had bought was her more recent collection of essays, On Hinduism (2013), and remember marveling at the fact that only in India it would be possible to acquire such a tome of 660 pages for a measly Rs. 995.00. 

Obviously, I never had the time to read the book and my confusion of that book with the one that created the controversy was not helpful in my present predicament. Now, it was entirely possible that I might not be able to buy the book at all as it would soon be pulp. Besides, the latter book might also hurt someone else’s feelings and could end up as being pulp as well. But what about many others who would like to read and make up their own minds? For one, though I had read Wendy Doniger’s work initially as the work of Wendy Doniger O’Flaherty, and admired her scholarship, I have not passed judgment on her work as a whole. In fact, my attempt to read On Hinduism did not work initially as it could not capture and keep my attention, which I cannot remember happening when I first read her Origins of Evil in Mythology (1976) and Women, Androgynes, and Other Mythical Beasts (1980). But even in this case, I would not hasten needlessly to pass judgment on her writing. It is entirely possible that all that time ago, as a graduate student I had more time and the urge to read her as opposed to now, when I have many other things to attend to as well, including concerns over the future of ideas and thoughts in our midst. 

The issue for me is quite simply this: in a world of extremely subjective sentiments such as ‘hurt feelings,’ what would the life trajectory of ideas be if we are moved to take extreme actions such as turning a book into pulp or turning them into bonfires rather than allowing for a plurality of ideas to emerge and take their own course? As we all know, this is not the first time that the issue of banning books have arisen in India or in South Asia more generally. Rohinton Mistry’s novel, Such a Long Journey, James Laine’s work of history, Shivaji: Hindu King in Islamic India and more recently, the Collected Essays of A.K. Ramanujan and Paula Richman's Many Ramayanas: The Diversity of a Narrative Tradition in South Asia with a focus on Ramanujan's work had experienced the same plight in different institutional settings. Similarly, the novel Lejja by Tasleema Nasreen was banned in Bangladesh as soon as it was published while the Sri Lankan government banned Stanley J Tambiahs’s book, Buddhism Betrayed? In the US in my postgraduate years, Salman Rushdee’s Satanic Verses suddenly became unavailable in many Barnes and Noble bookstores after a few were firebombed. All these were banned or made unavailable on the grounds of hurt feeling.

Personally, I would prefer to read Wendy Doniger’s book or that of anyone else and see if they hurt my own feelings. I am quite sure that some books I am likely to read in times to come would hurt my feelings. But then, my intention would not be to litigate and ensure what I don’t like is not available or destroyed, but instead not take it too seriously and also voice my opinion on it if I think it necessary. Up to that point, I am sure Mr Batra’s campaign would have been fine. One thing that some belief systems in our part of the world such as Hinduism and Buddhism should have taught us by now is that the real world we live in is not so easily and simplistically black and white or right and wrong. It is precisely this non-binary grey area within which religious practices actually unfolds that has also attracted the attention of Wendy Doniger along with her interest in its esoteric practices which allowed for an interpretation that might be different from the more dominant and taken for granted definitions of Hinduism that have come about since its encounter with colonialism in much the same way Buddhism has in neighboring Sri Lanka. My belief is that great religious traditions in the region such as Hinduism and Buddhism that I am reasonably familiar with, have ensured their longevity and reach amongst our people and impacted their lives and helped evolve great civilizations precisely because of their flexibility in orientation and practice. Not being mindful of these is about not being mindful of ourselves or where we come from. 

This brings me back to the story of making pulp from Wendy Donniger’s book. Now that I do not have a copy of the book and it might not be readily available in the few books stores I could visit, what about my own feelings about the knowledge that a great Indologist and Sanskrit scholar has produced with which I may or may not yet agree. The book is now technically not accessible to me. This takes me back to the words of the Buddha which my early teachers tried to instill in me, but quite decidedly failed in instilling in many people of my generation who went to the same kind of schools. This is one of the obvious conclusions I could come to if I go by what my own citizens are up to these days in the name of the Buddha and what he preached. The Kalama Sutta, which the Buddha preached to the residents of Kesaputta known as the the Kalamas outlines what might be taken as the principles that could be adopted by anyone who seeks knowledge. In their meeting, it is reported that the Kalamas asked the Buddha: "There are some monks and brahmans, venerable sir, who visit Kesaputta. They expound and explain only their own doctrines; the doctrines of others they despise, revile, and pull to pieces. Some other monks and brahmans too, venerable sir, come to Kesaputta. They also expound and explain only their own doctrines; the doctrines of others they despise, revile, and pull to pieces. Venerable sir, there is doubt, there is uncertainty in us concerning them. Which of these reverend monks and brahmans spoke the truth and which falsehood?"[1] Obviously, they were asking the Buddha whose word should be taken seriously in a context when competing ideas were preached and each was presented as the ultimate truth to the extent of expelling other ideas. 

In a somewhat long discourse, the crux of what the Buddha is supposed to have said can be outlined as follows: “"It is proper for you, Kalamas, to doubt, to be uncertain; uncertainty has arisen in you about what is doubtful. Come, Kalamas. Do not go upon what has been acquired by repeated hearing; nor upon tradition; nor upon rumor; nor upon what is in a scripture; nor upon surmise; nor upon an axiom; nor upon specious reasoning; nor upon a bias towards a notion that has been pondered over; nor upon another's seeming ability; nor upon the consideration, 'The monk is our teacher.' Kalamas, when you yourselves know: 'These things are bad; these things are blamable; these things are censured by the wise; undertaken and observed, these things lead to harm and ill,' abandon them.”[2]

Without being simplistic, it seems to me that what the Buddha is credited with saying all those years ago, still make sense: accept what makes sense after reasonable consideration and discard what does not. Ideas that are discarded, be that of Wendy Doniger or someone else’s will simply not take root or will take root without consequence. Ideas that are worth pondering over will survive over time, sometimes forgotten but hopefully rediscovered at different times. We should leave things at this. Rather than making pulp of knowledge our times have produced, let they become irrelevant over time if that is the nature of things. If not, we will simply end up creating lapses in our collective stories and narratives, of our histories and our present. And future generations unable to fathom these silences and lapses will be all the more impoverished in their knowledge about our fears, our anxieties, our triumphs and the worlds in which we lived. 

At the beginning of March, I went to see the doctor yet again, drank more medicine, swallowed more pills, coughed even more before things got somewhat better about a week later. IN teh same week, I went to my class again and pretended to work in an enlightened world already fourteen years into the ‘new’ millennium, which we have now mostly forgotten had even arrived. Over the next few days, my body felt better after a few bouts of not feeling too great. But with certainty, my mind continued to be lost in the dark clouds that lack of enlightenment in our circumstances often brings forth. I also knew that the world I am passing through, needs far more medicine than I ever would to heal itself.

[1] http://www.accesstoinsight.org/lib/authors/soma/wheel008.html

[2] http://www.accesstoinsight.org/lib/authors/soma/wheel008.html

Thursday, November 21, 2013

සැමතැන සරණා බුදුන්












දොර අසලත් බුදුන්ය;
මැද මිදුල සැමතැනත් බුදුන්ය;
අවන්හලෙත් බුදුන්ය;
මදුපැන්සල අසලත්
ආලින්දයෙත්
ශාලා සැමතැනත් බුදුන්ය, සඟුන්ය.

සුසුමක් ලෙසවත් ඒත්
නෑසුනේ ඇයිදැයි සිතුනි
බුදුන්ගේ හඬ
අල්ලාප සල්ලාප
ටකරං සංගීත නද
පැතිර යන විට
දසත.

10 නොවැම්බර් 2013; රනිපූල්, සිකිම්

Saturday, July 13, 2013

Ape Gama: An Exhibition Reflecting Art & Heritage Management

This is about how kids in a number of localities in Sri Lanka see the world around them; the natural environment, ‘important’ people in their midst, temples, churches, theatres, stores owned by local people etc. These are pictorial maps as they see them and drawn by them, devoid of the nastiness of the adult world rapidly going mad around them. They see the temples as they see churches; they are simply places of worship; no seeming structures of hierarchy. May be there is some hope, at least until they become adults and join the madness around them.
This is what the adults who conceptualized the program and exhibition say about their effort: Theertha International Artists Collective, Colombo in collaboration with Barefoot Gallery, Colombo is presenting 'Ape Gama', an art exhibition that traces a series of Theertha programs undertaken in the past three years which combines art and heritage management. Theertha is an artists' collective working to facilitate contemporary art discourses within the art community in Sri Lanka.  Initiated first in Kamburupitiya, Horapavita in 2009 by Theertha, the program 'Ape Gama' (Our Village) incorporated art workshops with school children, training sessions for teachers of art and discussions with community leaders on heritage management as integral parts of its work process.  Through a holistic approach, 'Ape Gama' program facilitated the community to rediscover its own heritage present within its own area. In  2010 and 2011, 'Ape Gama' program (Let’s Take a Walk) was held in Maradana and Gampaha.  At the end of all three programs, a map marking the rediscovered heritage sites within these specific local  areas were  drawn by school children that was enlarged, printed and distributed.   The uniqueness of the 'Ape Gama' program lies in its ability to combine art and heritage management as a potent tool to mobilize communities to rethink about their own heritage giving attention to elements of contemporary popular cultural dynamics.
 
The 'Ape Gama' program is conceptualized on the basis of a different understanding of heritage from that of the dominant Authorized Heritage Discourse (The guiding principles of heritage preservation in Sri Lanka, as in many other countries are founded on the established notions of heritage preservation rooted in the western discourse of heritage, which Laura Jane Smith (2006) has labeled as the Authorized Heritage Discourse.)[1]. Here, heritage is seen as a cultural process rather than as a fixed entity while it is also is seen as a way in which a community connects and associates with what is regarded as heritage. This project intends to show that culture and heritage are contemporary experiences and that they do not merely belong to the past.. At the same time, situations that would be singled out as worthy of preserving and contemplation will be presented not simply as traces from the past, but more as traces of a larger social and cultural network that endows and constitute collective memories and identities of the village as a complex expression. The program prompts villagers or local residents of a specific locality to give value to the heritage expressions/situations that are both natural and cultural in their own localities both in terms of their specificity and inclusivity. In the course of the program, it was hoped that villagers will come to understand and appreciate the connectedness of their particular village, in terms of its heritage expressions/situations, to a larger geo-political region and to a deeper and varied socio-historic times.
The exhibition 'Ape Gama' will present selective documentation of the programs held in Horapavita, Maradana and Gampaha.  'Ape Gama' will be on show from  11th  to 28th July 2013 at Barefoot Gallery, Galle Road, Colombo 4.


[1] The guiding principles of heritage preservation in Sri Lanka, as in many other countries are founded on the established notions of heritage preservation rooted in the western discourse of heritage, which Laura Jane Smith (2006) has labelled as the Authorized Heritage Discourse.
 














Sunday, June 16, 2013

නිමේශයක මතකය: ඔහේ ලියූ කවි

පෙරවදන

සසංක කවි පොතක් කරන්න යන බව ඇසූවිට මට පුදුම සිතුනි. ‘‘ඇයි කවි ලියුවේ?’’ මම ඇසූවෙමි.  ‘‘ඔහේ ලියුවා, අපි හැමෝම කවි ලියනවනේ’’ ඔහුගේ පිළිතුර විය. අපි කවුරුත් කවි ලියන්නෙමු ද? සමහරවිට......

එහෙත්, අත් පිටපත් ලැබූ පසුත් ගෙදර පැමින එ්වා කිහිප වරක් නැවත කියවූ පසුත් මට දැනුනේ මේවානම් ‘ඔහේ ලියූ කවි’ නොවන බවයි. බලාගෙන ගියාම අමුතු දේකුත් නැත, එහෙත් හිතන්න, කතා කරන්න, තේරුම් ගන්න බොහෝ දේවල් එ් තුළ වේ. මෙතෙක් කල් සසංකව අප කියවා ඇත්තේ ගැටළු ලිහන්නෙක්, විශ්ලේෂණය කරන්නෙක් හා විස්තර කරන්නෙක් ලෙසටය. එහෙත් කවියෙක් වූ සසංකට ඇත්තේ ප‍්‍රශ්ණ තොගයකි. ජීවිතය, ආදරය, ආගම, භාෂාව, ඉතිහාසය, අනාගතය, සංවර්ධනය, තාක්‍ෂණය, දෙවියන්, ජාතිකත්වය, දේශ සීමා, මිනිස් සීමා...... මේ සියල්ල ඔහු ප‍්‍රශ්ණ කරයි. මුලින් මට සිතුනේ ඔහු අපව ප‍්‍රශ්ණ කරන බවයි.  එහෙත් මෙතෙක් කල් මේ ශිෂ්ටත්වයේ, මේ සදාචාර ලෝකයේ, මේ සිවිල් සමාජයේ, මේ බුද්ධිමතුන්ගේ ලෝකයේ ජීවත් වූ තමාගෙන්ම ඔහු ප‍්‍රශ්ණ කරන්නේයැයි එ් කවි නැවත නැවත කියවීමේදී මට දැනුනි.

පළමු ඉදුනු කෙස් ගස දකින විට ජීවිතයේ අර්ථය සෙවීම පටන් ගත යුතු බව සඳහන්වන වේද කියමන මට සිහිවිනි. සසංක වියපත් වන්නට පටන් ගෙන ඇත. හුදෙකලාව, අතෘප්තිය, සාංකාව කවියෙකු ලෙසින් ජීවිතය දෙස නැවත හැරී බැලීමට ඔහුව පෙළඹුවාවත් ද?

‘‘......ගස දකින්න ඇති......
......ගසට ඇහෙන්නැති......
තනිව ශිඛර මත
අ`දුරු ගගන සෙවනේ
අහස් ඉම වෙත බැලූම් හෙලා
පත් වියැකී
ගස වියපත් වන විට
කාට පෙනේවිද
කාට ඇසේවිද
කාට දැනේවිද......’’

සමස්ථයක් වශයෙන්, සසංකගේ  ‘කොළඹ කවි’ සහ ඒ යටතේ ඉදිරිපත් කර ඇති ‘මෙත් බුදුන්ගේ සපැමිණීම,’ ‘සරසවිය,’ ‘ආයුබෝවන්, වනක්කම්, ගුඞ් මෝර්නින්ග්,’ ‘රහතුන් සෙවීම,’ ‘සුබ නව වසරක් වේවා’ වැනි කවි අපට පෙන්වන්නේ සසංකගේ කොළඹ (ලංකාවේ* ජීවිතයේ කළකිරීමේ හරස් කඩකි.  ඉඳින්, සසංක නම් වූ කවියා ජීවිතය ද ජීවිතයේ අර්ථය ද මෙතෙක් සොයා ගත නොහැකි වූ දෙවියන් ද සොයා කොළඹින් මිදී තෝක්යෝවේි, බියාසියේ, දිල්ලියේ කරක් ගසයි.  එහිදී ඔහු දකින්නේ නැවතත් සුපුරුදු දසුන්මය. 

එහෙත් කවි සිතකට නිශ්චල විය නොහැකිසේය.  වැස්සට තෙමෙමින්, අව්වට වේලෙමින්, ශීතලට හසුවෙමින්, දුඟද උසුලමින්, එපමණකින් පමණක් නොනැවතී මමත්වයෙන් හා කුහකත්වයෙන් පිරී ගිය පරිභෝජනවාදී  බැතිමතුන්ගේ විකාර ඉවසමින් අවුරුදු දස දහස් ගණනක් පුරා නිහඬව, නිසොල්මන්ව බලා හිඳිනා දෙවිවරුන්ගෙන් සසංක ප‍්‍රශ්ණ කරයි.

පරිගණක ගතකරන ලද සිනා, වදන් සෙනෙහස දරා ඇවිදින, විවාහ දිවියට පිවිසෙන තරුණ තරුණියන් දැක සසංක කලකිරෙයි. අහම්බයකින් මුණගැහෙන ලතෙත් බවක් සබැඳියාවක් වචනයට නගන්නට, දොඩන්නට, අසන්නට, තේරුම් ගන්නට නොහැකි බව හැඟීමෙන් සසංක දුක්වෙයි.....

සසංක සැබෑ කවියෙක් වී ඇති හැඩකි......වචනයෙන්, තර්කයන්ගෙන්, න්‍යායෙන්, වාද විවාදයෙන්, වෙහෙසව......

‘‘සිහිනයක් අතරතුර ලබා පියවි සිහි
ඇද වැටුනෙමි මා මගේම දෝතට
....මෙතෙක් කල් කොහිද ඔබ සිටියේ?’’......


(Essential Zen)

කුමාරි කුමාරමගේ
කොළඹ
ජූනි 2013



හැඳින්වීම

වඩාත් දිගු කාලයක් මුළුල්ලේ නොවුවද යම් කාලයක් තුළ ලියූ  කවි එකතුවක් පොතක් වශයෙන් පළ කරන්නට යන විට  ඒ සඳහා විධිමත් හැඳින්වීමක් ලිවීම අවශ්‍යයැයි මා නොසිතුවෙමි. ඊට හේතුව වූයේ යම් රචනයක් ප‍්‍රසිද්ධ අවකාශයට පැමිණි පසු, එය කුමක් පදනම් කරගෙන කුමන හේතුවක් නිසා ලියුවද ඒ පිළිබඳ අදහස් පාඨකයන් විසින් තම තමන්ගේ පර්යාවලෝක හරහා ගොඩනගා ගන්නා බැව් මා මැනැවින් දැන සිටි නිසාය. කවි හා නිර්මාණ සාහිත්‍යය සම්බන්ධයෙන් මේ තත්ත්වය වඩාත් තීරණාත්මකව බලපාන බැව් පැහැදිලිය. අනෙක් අතට, මේ කෘතියේ අඩංගු බොහෝ කවි හා ගී පද මේ වනවිටත් යම් පූර්විකාවක් ද සමග මාගේ වෙබ් අඩවිය හරහා සමාජගතවී ඇති සන්දර්භයක් තුළ තවත් හැඳින්වීම් කුමටදැයි මට සිතුනි. කවි යනු ජීවත්වීම සඳහා හෝ සමාජීය මැදිහත්වීමක් සඳහා හෝ මා ලියූ දේ නොවේ. අනේක පෞද්ගලික නිමේශ තුළ ලියූ ඒවා, ප‍්‍රසිද්ධ අවකාශයට පැමිණෙන විට කව්රුන් කෙසේ අර්ථකථනය කළත්, අගය කළත්, වින කළත් එය මාගේ මූලික ව්‍යායාමයට පරිභාහිර වූ පාඨක අයිතිය යන කථිකාව තුළ පොපියන යථාවක් බවට පත්වේ. ඒ ඇසිල්ලෙන්ම රචකයා හෝ කවියා අතුරුදහන් වී පාඨකයා කිරුලූ පළඳිනු ඇත. පශ්චාත් නූතන අර්ථයෙන් කතුවරයාගේ අභාවය සිදුවන්නේ එසේය. එනමුත් පාඨකයන් කුමන අර්ථකථන ගොඩනගාගත්තද හැඳින්වීමක් යම් ආකාරයක අත්වැලක් ලෙස ප‍්‍රයෝජනවත් වනු ඇතැයි මා හා පැවසුවේ කුමාරි කුමාරගමගේ නව දිල්ලියේදී මුණගැසුනු කෙටි මොහොතකදීය. මේ සරල හැඳින්වීම ඒ කෙටි වචන හුවමාරුවේ ප‍්‍රතිඵලයකි.

මා කවියෙක් නොවේ. මා හුදෙක් කාලවේලා ලැබෙන විට සාමාන්‍යයෙන් දිවිගෙවීම සඳහා හරඹකරන ගද්‍යයෙන් පද්‍ය අවකාශට කඩා වැදී නැවත පලායන සංචාරකයෙකි; රස්තියාදුකාරයෙක;ි නැතිනම් වචන ගොන්නක් කරපින්නාගත් අහිකුණ්ඨිකයෙකි. මා මුලින්ම කවි සමග ගනුදෙනුවක් ආරම්භ කළේ පාසල් යන වයසේදී වුවද ඒ යුගයේ ලියූ කිසිවක් අදදින ඉතිරි වී නොමැත. ඉන් බොහෝ කළකට පසු, 1989 හා 1990 අතර කාලයේ අමෙරිකාවේ ප‍්‍රින්ස්ටන් සරසවියේ පශ්චාත් උපාධි පර්යේෂණ කටයුතුවල නිරත වී සිටි අවධියේ කවි එකතුවක් සම්පාදනයකළ අතර, ඒ සියල්ල ඉංගී‍්‍රසි පසින් ලියූ ඒවා විය.  1980 අග භාගයේදී ලංකාවේ දක්‍ෂිණ ප‍්‍රදේශවල ව්‍යාප්ත වෙමින් පැවති දේශපාලන ප‍්‍රචණ්ඩත්වය හා උතුරු-නැගෙනහිර පළාත්වල ඒ වනවිටත් මුල්බැසගෙන තිබූ ආභ්‍යන්තරික යුද තත්ත්වය මේ කවි බොහෝමයකට පදනම සපයන ලදී.  මේ ඇතැම් කවි වරින් වර පලවුවද දීර්ඝකාලීන ව්‍යාපෘතියක් වශෙයන් පද්‍ය රචනයට අවශ්‍ය කාලය හෝ මානසිකත්වය සකසා ගන්නට මා සමත්වූයේ නැත. එනමුත් එදා සිට අද දක්වා නොයෙකුත් කවීන්ගේ කෘති පරිශීලනය කිරීමට මා හැකි සැම විටකදීම උත්සුක වූයෙමි. මෙසේ කියවූ කවීන් අතරට ගුණදාස අමරසේකර, බුද්ධදාස ගලප්පත්ති, කුමාරි කුමාරගමගේ, විවිමරී වැන්ඩර්පූටන්, ෆයිස් අහමඞ් ෆයිස්, පැබ්ලෝ නෙරූදා, ගුල්සාර්, අගා ශහීඞ් අලී යනාදීන් ඇතුලත්වේ. පි‍්‍රන්ස්ටන් කවි ඉංගී‍්‍රසියෙන් රචනා කිරරීමට හේතුව නම් ඊට වසර හතරකට පමණ පෙරාතුව සිට කැලිෆෝනියා සරසවිය් උසස් අධ්‍යාපන කටයුතු ඇරඹීම හා විදේශගතවීම යන කරුණු නිසා මා අවට ඇසෙන හා භාවිතවන ප‍්‍රධාන බස ඉංගී‍්‍රසි වීමය. මා මෙය තේරුම් ගත්තේ බෙහෙවින් ස්වභාවික තත්ත්යක් ලෙසටය.

වර්තමානය වන විට නැවතවරක් දීර්ඝකාලීනව විදේශගතවී සිටිය ද වෘත්තීය වශයෙන් මා අවට භාවිතවන එකම භාෂාව ඉංගී‍්‍රසි වුවද මෑතකදී මා ලියූ බොහෝ කවි ලියැවී ඇත්තේ සිංහලෙනි. ඒද ස්වභාවික කි‍්‍රයාවලියක ප‍්‍රතිඵලයක් වශයෙනි. එනම්, වසර විස්සක පමණ කාළයක් මුළුල්ලේ සවන් වැටුනේත් පෞද්ගලික ගණුදෙනු හා ඉගැන්වීම් කටයුතු සඳහා මූලිකවම භාවිතා කළේත්, ඒ නිසාම චිත්තවේගීය වශයෙන් වඩාත් සමීප වූයේත් සිංහලයට නිසාය. එනමුත් ඇතැම් අදසස් ගලා එන්නේ ඉංගී‍්‍රසියෙන් නම්, එවන් අවස්ථාවල කෘතී‍්‍රම ලෙස එවදන් සිංහලයට හැරවීමට මා උත්සාහ ගෙන නැත. මේ අනුව, 2011 දී තෝක්යෝවේදී ලියූ ‘ඉතා කෙටි කවි’ හා ජෑස් සංගීත තනු සිහි තබාගෙන ලියූ ගී වැල් ද ලියැවී ඇත්තේ ඉංගී‍්‍රසියෙනි. ‘ඉතා කෙටි කවි’ ආකෘතික වශයෙන් ජපන් හයිකු සම්ප‍්‍රදායේ ඇතැම් අංග උකහා ගත් අතර, ඒවායේ කෙටි ස්වභාවය සිංහලයට වඩා මා යොමු කළේ ඉංගිරිසිය වෙතය. මෙලසම, ජෑස් සංගීතය උදෙසාම ලියූ ගීපද සිංහලයෙන් පරිකල්පනය කිරීමට මා අපොහොසත් වූයෙමි. මෙය පෞද්ගලික චිත්තවේගී තත්ත්වයක් මිස සාමාන්‍යකරණය කළහැකි තාර්කික තත්ත්වයක් නොවේ. මෙනයින් හයිකු සරණ යමින් සිංහලයෙන් කවි රචනා කරන්නන් දැනටමත් එසේ කරගෙන යන අතර, කැමැත්තක් ඇති හුදී ජනයා සිංහලෙන් ජෑස් ගීවැල් යම් දිනක ලියනු ඇතැයි මට සිතේ. මටත් වේලා ඇති ඇසිල්ලක තත්කාලීන පරිභෝජනවාදී නාගරික සමාජයේ හැලහැප්පීම් සංස්කෘත හා පාලි බසින් ලියා ජෑස් සංගීතයෙන් සරසවා එළිදැක්වීමට ලැබේ නම්, එය දීර්ඝකාලීන සිහිනයක් යථාවක් බවට පත්වන මොහොතක් වනු ඇත.

කෙසේ වෙතත් පි‍්‍රන්ස්ටන් යුගයෙන් පසු නැවත වරක් සාපේක්‍ෂ වශයෙන් දීර්ඝකාලීනව කාව්‍යකරණයට අවතීර්ණවීමට හැකි වූයේ 2000 දශකය මැද භාගයේදීය. ‘කොළඹ කවි’, ‘තෝක්යෝ කවි’ හා ‘නව දිල්ලි කවි’ ලෙස මේ කෘතියේ අඩංගු වී ඇත්තේ මේ කාලය තුළ ලියූ කවි එකතුවක්ය. මේ අනුව බැලූ බැල්මට පෙනී යනු ඇත්තේ මේ කෘතියට ඇතුළත් කවි බොහෝමයක් එක්රැුස් කරඇත්තේ ඒවා ලියූ ස්ථානය අනුව බවය. එනමුත් නව දිල්ලි කවි හා තෝක්යෝ කවි එකතුවලට ඉංදියාවේ හා ජපානයේ අන් ස්ථානවලදී ලියූ කවි ද ඇතුලත් වේ. තවද කවියක් ලියූ ස්ථානය බොහෝ විට ඒ කවියට වස්තු විෂය සපයන ප‍්‍රධාන සාධකය වුවද එය නිරතුරුවම එසේ වී නැත. උතුරු ඉංදියාවේ බියාසියේදී ගංගා නදිය ගලා බැස යනු දුටුවිට කවි කිහිපයක් ලියුවා සේම ශී‍්‍ර ලංකාවේ පශ්චාත් යුද තත්ත්වය පිළිබඳ ඇතැම් අදහස් කැටිකර ගත් කවි ද ඒ ස්ථානයේදීම ලියුවේ ඒ අදහස් මා සිතට ඒ මොහොතේදී ගලා ආ නිසාය. මෙනයින් බලනකළ මා ලියා ඇති කවි මා දටු දේ මෙන්ම මා නොදුටු එනමුත් පරිකල්පනය කළ දේ ද මා අත්දුටු මෙන්ම මට හැඟුනු දේත් එක්කරගත් කතිකාවක් යැයි පැවසීම නිවරැුදිය.

මේ කවි අතර මූලික වශයෙන් 2010 හා 2013 අතර කාලය තුළ මාගේ කැමරාවේ කාචයට නතු වූ ඡුායාරූප ගණනාවක් ද එක්කර ඇත. කවිවලට අමතරව හැකි බොහෝ අවස්ථාවල මා සිත යොමුකරන ප‍්‍රධාන කටයුත්තක් වන්නේ ඡුායාරූපකරණයයි. එමෙන්ම මේ කවිවලට පාදක වූ ඇතැම් දසුන් මේ ඡුායාරූප තුළ අඩංගු වී ඇත. මේ කථිකා ද්විත්වය යම් දුරකට හෝ එක්තැන් කිරීමෙන් මාගේ ව්‍යාපෘතිය සාපේක්ෂ වශයෙන් වඩාත් පරිපූර්ණවනු ඇතැයි මට සිතුනි.

අවසන් වශයෙන් මේ ව්‍යපෘතිය සාර්ථක කරගැනීමට නන් අයුරින් වෙහෙස වූ කිහිපදෙනෙකුට තුති පුද කිරීම යුතුකමක් සේ මා සළකමි. කුමන අඩුපාඩුකම් තිබුන ද මා ලියූ සැම කවියක්ම අගය කළේත් ඒවායේ යම් ගැටළු පෙන්වා දී ඒවා නිරාකරණයට අදහස් සැපයුවේත් අවසනදී කෘතියට සරිලන ඡුායාරූප තෝරා දී කෘතිය සැලසුම් කළේත් අනෝලිය. ඇයට ස්තූති කිරීමට අවශ්‍ය වචන කවි ලිව්වත් පොත් ලිව්වත් මා සතුව නොමැත. කවිවල අක්‍ෂරවින්‍යාස ගැටළු පෙන්වා දී නිරාකරණය කරදුන් දකුණු ආසියානු සරසවියේ ප‍්‍රීතිකා ඩැනියෙල්ස්ට හා සිරස මාධ්‍ය ආයතනයේ චන්ද්‍ර ලේකම්ආරච්චිට මාගේ ස්තුතිය හිමිවිය යුතුය. එමෙන්ම තෝරාගත් කවි කිහිපයක් මැනැවින් ඉංගී‍්‍රසියට පරිවර්තනයකරදී ඇතැම් කවිවල අඩුපාඩු පෙන්වා දුන් කොළඹ සරසවියේ සමුද්‍රිකා සිල්වාට  මාගේ කෘතඥතාව හිමි වේ. අවසන් වශයෙන්, පෙරවදන ලියූ කුමාරි කුමාරගමගේට සහ මුද්‍රණ කටයුතු සම්බන්ධීකරණයකළ දකුණු ආසියානු සරසවියේ සමාජීය විද්‍යා පීඨයේ සැම්සන් ජෝර්ජ්ටද මාගේ ප‍්‍රණාමය හිමි වේ.

සසංක පෙරේරා
නව දිල්ලිය
ජූනි 2013



පටුන

පෙරවදන
හැඳින්වීම

කොළඹ කවි


මෙත් බුදුන්ගේ සපැමිණීම
පලිඟු ගෝලයේ අනාගතය
හිත

Formless (‘හිත’ කවියේ පරිවර්තනය)
ගස
නිර්නාමික
එකම හඳක්; වෙනස් දසුන්


Silent Moon (‘එකම හඳක්; වෙනස් දසුන්’ කවියේ පරිවර්තනය)
ශුභ නව වසරක් වේවා
රහතුන් සෙවීම
සරසවිය
ඉලාසිටික් ඇඳුම
ආයුබෝවන්; වනක්කම්; ගුඞ් මෝනින්ග්

තෝක්යෝ කවි

සයිබර් අවකාශයේ වදන් විශ්වය



Streets
සිනහව
රුවැත්තිය
උයන
ඇති පොත්, නැති පොත්



To Know You (ඇති පොත්, නැති පොත්’ කවියේ පරිවර්තනය)
දෙවියන් මුනගැසීම

Encounters with a Worldly God (දෙවියන් මුනගැසීම’ කවියේ පරිවර්තනය)
කන්නලව්ව
පුරවරය
දෙනයන
තෑග්ග
කමකුරා බදුුනි
සකුරා මල්
ෆුකුශීමා
අළුත් ඩිස්නිලන්තයක්
මුඛවාඩම්
ධරණි
ඇගේ නිරවුල් වදන් (ATM)
රූපාන්තරණය
සෙවණැල්ල

Teacher’s Lament 

ඉතා කෙටි කවි /Very Short Poems


The Devil Resides in Details
Incense
Music(s)
Hallucination?
Shades
Shadow
Scream –  මුරදීම
Memory/Amnesia
A Death Foretold
Tempest

නව දිල්ලි කවි

වැසුනු දොරටුව

Dust
දුහුවිලි
කුසුම්
මළ බසකින්වත්
දිසි අදිසි දනා
හේමන්තය
වැලපිල්ලේ සිනහව
නිමේශයේ රුව
පිය සටහන්

(Non)Presence  
 හුදෙකලා වූ දෙවිඳුනි
ගංගා
පුණ්‍ය භූමිය
යුධ බිම
සවිඥානයෙන් අවිඥානයට
ගන්ධබ්බ පාලිය
හිමිදිරිය
දේව්දාර් අඩවිය
නිවන
යථාවෙන් දුරස් වූ ලොව

Face in the Mist
ලියතහැකි මට මේ ? යාමේ
වැස්
ස

References

Intrusion
නොපැතූ වැස්ස


Existence; Non-existence
දිගු ගමන
ශූන්‍යයට සමවැදීම
දිවාලි
වැහි
නොපැතූ ඝනඳුර


Conscience? 

 ගී පද

ගිනිගත් වදන් වැල් අතරේ
මා ඉන්න ලොවයි, මගේ ලෝකයයි
වැලි කතරේ මල් පිපිලා
වියපත් වෙමු අපි චාරුවෙන්

Out of the Shadows

Ghost in Cyberspace

Hold my Hand (Song of Sendai)